2018 - 07 - 23 Washington - District of Columbia, USA 2018 - 07 - 23 Washington - District of Columbia, USA Warner Theater Download Audio 922.05 MB
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Lostbrook 2.0 Vol. 251 - Remastered by Remy 1.01 Firebird Suite (1.52) 1.02 Close To The Edge (19.43) 1.03 Nine Voices (4.21) 1.04 Parallels (6.24) 1.05 Second Initial (3.44) 1.06 Madrigal (3.10) 1.07 We Can Fly (6.55) 1.08 Sweet Dreams (5.57) 1.09 Heart Of The Sunrise (12.24) 1.10 Set 2 Walk-on (0.57) 1.11 Perpetual Change (10.43) ============================== 2.01 Does It Really Happen? (7.32) 2.02 Soon (8.10) 2.03 Awaken (20.55) 2.04 Yours Is No Disgrace (12.32) 2.05 Roundabout (9.56) 2.06 Starship Trooper (12.31) ============================== Note Remy: The only thing I did was some EQ-ing with Adobe Audition CC to make this muffled recording sound much clearer. ================================== Yes July 23, 2018 Warner Theater Washington, DC USA Lostbrook 2.0 Volume 251 Source: CA11(cards)>SPSB-12>Sony M10(24/48) Location: 20' DFC Transfer: Sony M10>Micro SDHC>PC>Sound Forge 10>WAV 16/44.1> Trader's Little Helper>FLAC(level 8) Taper/Transfer/Notes: Lostbrook Covers: ethiessen1 Set 1 (64:34): 01 Firebird Suite (1:52) 02 Close To The Edge (19:43) 03 Nine Voices (Longwalker) (4:21) 04 Parallels (6:24) 05 Second Initial (3:44) 06 Madrigal (3:10) 07 Fly From Here, Part 1: We Can Fly (6:55) 08 Sweet Dreams (5:57) 09 Heart Of The Sunrise (12:24) Set 2 (83:20): 10 Set 2 Walk-on (0:57) 11 Perpetual Change (10:43) 12 Does It Really Happen? (7:32) 13 Soon (8:10) 14 Awaken (20:55) Encore: 15 Yours Is No Disgrace (12:32) 16 Roundabout (9:56) 17 Starship Trooper (12:31) Steve Howe - acoustic, electric & steel guitars, vocals Geoff Downes - keyboards Billy Sherwood - bass, vocals Jon Davison - lead vocals, acoustic guitar, percussion Jay Schellen - drums, percussion, tambourine Alan White (tracks 14-17) - drums, percussion Tony Kaye (tracks 15-17) - keyboards I decided months ago to skip this show, but then my son surprised me with a ticket for Father's Day. It was a great seat, a little forward of the "sweet spot" (if indeed there even is a sweet spot at The Warner), but all thanks should go to him anyway for the existence of this recording. |