1.01 Firebird Suite (2.40)
1.02 Parallels (6.18)
1.03 I've Seen All Good People (7.29)
1.04 Close To The Edge (19.31)
1.05 Wonderous Stories (4.26)
1.06 Colours Of The Rainbow (111)
1.07 Turn Of The Century (8.09)
1.08 Tour Song (1.21)
1.09 And You And I (10.33)
1.10 Going For The One (6.01)
==============================
2.01 Flight Jam (3.52)
2.02 Awaken (17.33)
2.03 Starship Trooper (14.01)
2.04 Roundabout (9.40)
==============================

Yes:
Los Angeles Forum, CA
September 23, 1977
Mike Millard Master Tape

Master tape> dat > dat > cd-r > Bias Peak Pro 5.2.1 > XACT > flac

Other versions of this show have been posted here before. This is not a re-seed or re-hash of those, but an entirely new upgrade from the master tapes. If you want more of these excellent Yes 1977 CA master recordings by Mike Millard, the Long Beach 26/09/77 master posted previously is still on the tracker, see: [Link]

On several occasions before he passed away, Millard let a close friend come to his residence and transfer a number of his masters to dat while they were hanging out. This show is one of those master > dat transfers.

This is Mike's mint, raw master. Please note that it has not been equalized or remastered. Since I do not have any boots of this show, I cannot comment on how it compares to them. To me the sound quality is excellent, but as always, song samples are provided so that you can decide for yourself. As many of you already know, Millard's recordings are known for their quality. Hope you enjoy this gem.

Lineup: Anderson, Howe, Squire, Wakeman, and White

Setlist:
1.01 Firebird Suite (2.40)
1.02 Parallels (6.18)
1.03 I've Seen All Good People (7.29)
1.04 Close To The Edge (19.31)
1.05 Wonderous Stories (4.26)
1.06 Colours Of The Rainbow (111)
1.07 Turn Of The Century (8.09)
1.08 Tour Song (1.21)
1.09 And You And I (10.33)
1.10 Going For The One (6.01)

2.01 Flight Jam (3.52)
2.02 Awaken (17.33)
2.03 Starship Trooper (14.01)
2.04 Roundabout (9.40)

Total Time 112:45 (1:52:45)

Remaster
01. Boost deficient frequencies/EQ.
02. Correct speed.
03. Verify pitch correct.
04. Correct phasing.
05. Adjust stereo field and center sound.
06. Correct inappropriate volume boosts*
07. Correct auto-record level effects**
08. Reduce audience contribution***
09. Repair many audible gaps and single channel dropouts
10. Adjust dynamics
11. Light noise reduction
12. Re-track given 14 songs in 10 source files.****

Notes
This remaster should be considered an upgrade to the PRRPSAE 05 version. More advanced software and techniques were used during this project. A great deal of time was devoted to repairing or removing as many clicks, pops and other tape errors as possible, using non-destructive techniques. The audience noise and loud claps were more extensively addressed in this version.
*18 segments were found to have an abrupt, audible amplitude boost of 3-6dB. The volume of the sound and the hiss both clearly increased in these segments. These were corrected, eliminating this distraction.
**The recording system made frequent adjustments to record volume such as attenuation after a loud clap. These were corrected as much as possible.
***The crowd was very enthusiastic that night. Frequently yells, loud claps and whistles were present during the songs. Where present, they were repaired or attenuated as much as possible. Most applause found between songs was left unaltered.
****Remove redundant sections and track as continuous show.

Suggested CD Burn: CD1 Tracks 1-9, CD2 Tracks 10-14

This is an RMCH Remaster that is not part of the PRRP series or the RMCH Series.