1.01 Intro (4.00)
1.02 Leave It (4.38)
1.03 Yours Is No Disgrace (10.57)
1.04 Drum's Solo (1.27)
1.05 Hold On (6.48)
1.06 Hearts (9.36)
1.07 I've Seen All Good People (7.16)
1.08 Si (6.47)
1.09 Solly's Beard (6.13)
1.10 Changes (7.29)
1.11 Jammin' (1.11)
==============================
2.01 It Can Happen (7.49)
2.02 Amazing Grace (2.03)
2.03 Whitefish (8.54)
2.04 City of Love (9.20)
2.05 Great To Be With You (3.26)
2.06 Starship Trooper (17.07)
2.07 Roundabout (7.22)
2.08 Gimme Some Lovin' (5.15)
==============================

Artist: YES
Title album: 90285
Date: February 9th, 1985 (1985-02-09)
Venue/City: Velez Sarfield Stadium, Buenos Aires, Argentina.
Source: FM

CDR > EAC (wav) > FLAC Frontend encode level 8 > me > Adobe Audition 2.0 > FLAC Frontend (level 8) > you

Lineup:
Jon Anderson: Vocals
Tony Kaye: Keyboards
Trevor Rabin: Guitars & vocals
Chris Squire: Basses & vocals
Alan White: Drums

disc one:
1.01 Intro (4.00)
1.02 Leave It (4.38)
1.03 Yours Is No Disgrace (10.57)
1.04 Drum's Solo (1.27)
1.05 Hold On (6.48)
1.06 Hearts (9.36)
1.07 I've Seen All Good People (7.16)
1.08 Si (6.47)
1.09 Solly's Beard (6.13)
1.10 Changes (7.29)
1.11 Jammin' (1.11)

disc two:
2.01 It Can Happen (7.49)
2.02 Amazing Grace (2.03)
2.03 Whitefish (8.54)
2.04 City of Love (9.20)
2.05 Great To Be With You (3.26)
2.06 Starship Trooper (17.07)
2.07 Roundabout (7.22)
2.08 Gimme Some Lovin' (5.15)

When I first put disc 1 in, I realized after a few seconds of listening that something was very wrong. I actually stopped listening to it until I could analyze it in Adobe Audition. When I opened the files in AA 2.0, I clicked on the "spectral phase display" which confirmed what I had heard: the left and right channels were out of phase on disc 1. I reversed the phase of one channel and listened again. This time, everything sounded pretty good, though the sound was basically mono. I then added some ambience with the reverb fuction and expanded the soundstage with the stereo expander function. Now the first and second disc sound fairly similar in terms of soundstage.

I contemplated uploading this version, but then I noticed there were some other shortcomings on both discs that I corrected such as: lots of clicks, thumps, level changes, drop-outs, feedback, etc. I didn't do any broadband equalization because I thought it sounded pretty good in that regard. If the second disc met your needs, you can just download disc 1.

The overall playing time might be slightly shorter as I totally cut the thumps rather than repair them as they occured in applause portions of the show. I left in the intro to "City of Love" where it sounds like Trevor is doing a cover of "Metal Machine Music" by Lou Reed (and whoever thought that Yes and Lou Reed would be used in the same sentence).

You may notice that I refer to this version as "restored" rather than "remastered." Personally, I feel that the term "remastered" should describe a recording that had no serious flaws and has just been tweaked here and there while "restored" describes a recording that had audible noise that was not intended to be present (unlike Metal Machine Music!).