1.01 Intro (1.30)
1.02 Cinema (2.24)
1.03 Perpetual Change (7.11)
1.04 Hold On (7.56)
1.05 South Side Of The Sky (9.40)
1.06 And You And I (11.19)
1.07 Changes (6.55)
1.08 Rhythm Of Love (6.48)
1.09 I Am Waiting (8.34)
==============================
2.01 Heart Of The Sunrise (12.18)
2.02 Awaken (22.34)
2.03 Owner Of A Lonely Heart (18.24)
2.04 Roundabout (8.18)
==============================

YES featuring Anderson, Rabin, and Wakeman

October 13, 2017
Dreyfoos Hall
Kravis Center
West Palm Beach, FL
USA

Lostbrook 2.0 Volume 213

Source: Church Audio CAFS>SPSB-12>Sony M10(24/48)
Location: Row M, stage-right stack

Transfer: Sony M10>Micro SDHC>Logic Pro X (EQ)>PC>Sound Forge 10>WAV 16/44.1>Trader's Little Helper>FLAC(level 8)

Taper/Transfer: Lostbrook
Covers: ethiessen1
Mastering: JW

Disc 1:

01 Intro (1:30)
02 Cinema (2:24)
03 Perpetual Change (7:11)
04 Hold On (7:56)
05 South Side Of The Sky (9:40)
06 And You And I (11:19)
07 Changes (6:55)
08 Rhythm Of Love (6:48)
09 I Am Waiting (8:34)

Disc 2:

10 Heart Of The Sunrise (12:18)
11 Awaken (22:34)
12 Owner Of A Lonely Heart* (18:24)

Encore:

13 Roundabout (8:18)

* Wakeman and Rabin venture into the audience. Includes snippet of Sunshine Of Your Love (Cream)

Jon Anderson - vocals, guitar, harp, percussion
Rick Wakeman - keyboards, keytar
Trevor Rabin - guitar, vocals, percussion
Lee Pomeroy - bass, backing vocals
Louis Molino III - drums, backing vocals

Why did I drive 1000 miles to see YES when I skipped the same show an hour from home? It was really just an excuse to hang out with good friends in Florida. I normally make this trip for Cruise to the Edge but it's so much fun that I'm now doing it twice a year. And while I'm of the belief that it can't be YES without both Steve Howe and Jon Anderson, I generally stay out of the debate and try to enjoy the music. And that I did - it was a great show all around, except for the sound in the hall. For the life of me I can't understand how (in my experience) the sound is always sub-par in these fancy art-center halls. The drums sounded as though they were being played from inside an airplane hangar. Fortunately, we had a good angle and distance from the stage-right stack so after a little EQ from my good friend JW, this is a much more enjoyable listen.