22 years, 7 months and 19 days ago Saturday, September 8, 2001 New York City, New York Radio City Music Hall 6,200 capacity
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before 'Don't Go' transcribed by: Pete Whipple Jon Anderson:Thank you so much. Great to be here in New York City. We always seem to arrive at night time, get into the hotel andyou wake up in the morning get out in the street you go, 'Wow. It's New York City!' What's going on here? It's wonderful..crazy. Hey! How do you do it? We're going to do a couple of new songs. We have a new album coming out pretty soon. This is..uh a song about the idea 'you can't take love for granted'. Love is everything that is. It is only the greatest and the utmost everything. Love. The most..so we love [???]. Don't beat yourself up so much. Here's a song called 'Don't Go'. New song. before 'In The Presence Of' transcribed by: Pete Whipple Jon Anderson:Thank you so much. Thank you. During the time we..uh started recording. I think we..certainly, certainly get together about midday and..uh most everyday when I get to the studio, Alan White here, Alan White here. He's..uh always playing the piano as he is known to do. [???]. We're going to do a song called 'In The Presence Of'. before 'Gates Of Delirium, The' transcribed by: Pete Whipple Jon Anderson:Thank you so much. Thank you. [???]. I'd like to introduce you to William Stromberg and the Long Beach Symphony. The Long Beach Symphony. [???] Long Island Tea. They are so wonderful, they just come up this afternoon and rehearse and then play. So we decided on this adventure that we're doing. This is our last gig by the way. We survived. We survived. We survived. Right, up Until now. We're going to do a song which..uh we wrote in the middle of the seventies when life was a little crazy and zappy. Anyway this is sorta a [???] the position they say. Let's do it with a symphony orchestra. Why not? Hey. It's a song called 'Gates Of Delirium'. before 'Solar Winds' transcribed by: Pete Whipple Jon Anderson:Its just the intensity [???] that makes us play so good. Thank you so much. And to leave you with the capable hands, fingers and guitar styles of Mr. Steve Howe. before 'Perpetual Change' transcribed by: Pete Whipple Jon Anderson:Mr. Steve Howe. I used to play like that as well. In my dreams, you know. before 'And You And I' transcribed by: Pete Whipple Jon Anderson:Thank you so much. Woo! before 'Ritual' transcribed by: Pete Whipple Jon Anderson:Thank you so much. Thank you. I was thinking half-way through. We've been together for such a long time. It's kind of amazing. So wonderful. Thank you so much. Here's a song that..uh my soul mate Jane, we travel together all the time and she loves this song. I caught her singing this song very loudly to the record one time in our house. I couldn't believe it. That she would know and love this song so much. It's from 'Tales From Topographic Oceans'. We [???] so many ways each song we play we relate to mother earth so much and this is sorta a homage to mother earth. We will bang drums and we go a little crazy here. A song called 'Ritual'. before 'I've Seen All Good People' transcribed by: Pete Whipple Jon Anderson:On bass guitar, Mr Chris Squire. Chris and on the drums, Mr. Alan White. Alan White on drums. Introducing on keyboards, Mr. Tom Brislin from New Jersey. Of course Mr. Steve Howe. Don't forget the Long Island Symphony and William Straumburg. {???]. I'd like to..uh we're going to do a song we're going to sing along to a song. This is for a special lady. She's eighteen years old today. [???]. Lille, where is she? [???] Melissa. [???]. Sing along to this song. Here we go. In the key of. before 'Roundabout' transcribed by: Pete Whipple Jon Anderson:This is the girl that has been [???] all the way through the tour backstage. She's one of the greatest girls around. Sherry. Woo! Every night she's [???]. This is the end of our tour. It couldn't have happened at a better place or a better time for us. We want to thank you all for being here this evening. Very, very memorial time. Thank you so much. |