Y. Latorte

Wednesday, December 4, 2024 6:07 PM

Answering the question about video. No, there was no video that night.

A thought or two to add, while here. Awaken was the outstanding number of the night. I couldn't believe they would try to play that on tour. Hindsight suggests that the In the Round Awaken performances may have been the best they ever did of the masterpiece. The 77 tour likely 'laid the gravel' for the later more commanding performances while there was still the fire of proximity to the original studio moment.

Future Times was very positively received by the audience live as a new song.

Circus of Heaven also definitely worked as a live presentation. It was certainly wild, and I would say angelic... otherwordly

All Good People was no. 2 in the setlist, very finely rendered.

Only element that wasn't perfect was the early 70s medley. From this one got the sense that Yes was becoming big business. I don't think they repeated such ideas again and recognized that the fans wanted the intact integrity of each work, which they saw as possessing a high poetic standing. You shouldn't diminish your own work by briefly quoting it.

It was a big show, a spectacle. Nothing I ever saw live equaled the dimensions of it. A product of the times, their popularity, their great integrity, their youth. One does have to admire their work ethic which was gigantic. But they must have loved playing live and they knew that the crowd could take them to spaces unaccessible otherwise.

There is a show on youtube Long Beach CA in 1977 (Close to the Edge is off the charts... saying alot) that has all the ominous marks of perfect artistic performance storm. The excitement, the band-audience rapport, their outpouring in view of the crowd generosity... They must have loved playing big halls... the sound could be 'existentially ' overwhelming

zinabre

Friday, September 10, 2021 11:17 AM

To mr Latorte: Did you see any video screen on this show?
Many bands were filmed at the Capital Centre in the seventies.

Y. Latorte

First Yes Show I ever saw, just as I was entering my senior year of high school. Having seen only one other big rock touring act prior (Clapton), I had no concept of what I was watching or how sophisticated it must have been to present the 'In The Round' configuration. There was no opening act and the concert was billed "An Evening with Yes". Seemed very classy for a rock show.

I remember Jon in this drapesy yellow outfit prancing about like a cosmic faerie thinking (embellished slightly from memory) "its 1978 and there are persons still being paid to be hippies!" It was just too cool that Jon was so loose looking and lilting about in what seemed like elf socks. They all had long hair (still) and I was just delighted they resembled the photo liners on Yessongs. I had always lamented my being born too late which caused me to not even be aware of them during those exciting early 70s tours, especially the '72 tour.

The experience was overwhelming and otherworldly, not unlike a churchtent revival, with overtones of holiness and sanctity. The anticipation leading up to that night was excruciating. They opened with the tutti from Close Encounters, which struck like four hammer blows and etched the acoustic dimensions of the arena instantly. It was truly shocking, like hearing real thunder for the first time. Siberian Khatru followed as the lights came up and stage began to revolve. Spoiled from the getgo. A constantly changing perspective and what seemed like an extravagant spectrum of stage lighting. I was also delighted that so many Yessong standards were on the setlist.

I recall them playing Future Times and Circus of Heaven ahead of Tormato's release on this occasion. It was obvious they played a tape of Damien at the end of 'Circus' which many listeners did not know what to make of. I was amazed when Awaken was played near the end of the set. Seemed too daunting a thing to try to pull off live. Gutsy and clearly the luckiest bonus of that evening for me.

They were so good, much more relaxed and playing with greater authority than documented on Yessongs. Its apparent now that the earlier shows had them all amped up and playing things in tempos frightfully faster than the studio originals. My viewing of the DVD from the Philly dates just 9 months later came very close to my memory of them at that time - full control, not too fast, not too slow. A thing of beauty, chops a plenty but not pushing too hard. Balanced & exquisitely tuned, like a top-of-the-line Jaguar.

Overall, an unforgettable event. I promptly went out and bought the rest of the Yes back catalog before the end of that year. There is no describing the sacred refuge these men have created.

PS - The event was a sellout because I had the worst seats you could imagine and all I could see were people filling everything below me.